Son of Spergy Tour
with special guest Faye Webster

About Daniel Caesar
Son Of Spergy, Daniel Caesar’s follow-up to his 2023 LP NEVER ENOUGH is about reconciliation; specifically, with his father. It’s both deeply contemplative and powerful in this examination, while still honoring the most exciting aspect of Caesar’s artistry: the album is compositionally and melodically breathtaking. His most profound and vulnerable project to date, Son Of Spergy features Daniel Caesar coming to terms with all the ways he’s his father’s son; for better and for worse. As such, the LP is a reflection on how Daniel wants to live his life. 

Son Of Spergy is also Caesar’s most successful album to date – it debuted at #4 on the Billboard 200, marks his first #1 on any Billboard chat (it topped the Top R&B/Hip-Hop Albums,Top R&B Albums, and Vinyl Albums charts upon release), and album cut “Who Knows” is entering rarefied air as it works its way to being a standout in his catalog with over 300 million global streams and counting.

About Faye Webster
Faye Webster loves the feeling of a first take: writing a song, then heading to the studio with her band to track it live the very next day. When you listen to the Atlanta songwriter’s poised and plainspoken albums, you can hear why: she channels emotions that are so aching, they seem to be coming into existence at that very moment.

“One of my favorite things about songwriting is taking thoughts that people don’t really think are worthy, or might overlook, and highlighting them,” Webster says. “I like saying things that everybody thinks, but nobody’s saying”.

At any given moment, Webster might be making country-tinged indie rock flecked simultaneously by pedal steel guitar and modern R&B production and songwriting techniques–a bespoke sound which has won her ardent fans and turned her into something of a stealth superstar beloved by everyone from southern hip-hop heads and alt-rock tastemakers.

The title of Faye Webster’s new album is inspired by her occasional compulsion to lose herself amongst concertgoers at the Atlanta Symphony Orchestra. Craving company and distraction but also leaning into the anonymity of a bustling crowd, Webster often bought a ticket to a performance at the last possible second. “Going to the symphony was almost like therapy for me,” she says. “I was quite literally underdressed at the symphony because I would just decide at the last moment that that’s what I wanted to do. I got to leave what I felt like was kind of a shitty time in my life and be in this different world for a minute.”